Rules for the golden resurfacing of make-up. Іideal proportions of appearance and golden linen in people and women
The portrait conveys the natural characteristics of the individual, and evokes the inner light of the person, bringing it to reality, that emotional state of the singing hour. In fact, a portrait, as if it were another genre painting, is a combination of lines, shapes and colors on canvas or paper so that today it repeats the shape of a human face.
Mayzhe sound like chaklunstvo? Sob correctly roztashovuvaty on paper and the same lines, form that vіdtinki, it is necessary for all to show the proportions of the person of the person (when painting a portrait of them, it is necessary to trim them in the obligatory order) that їх staleness in ruhіv, straight lines and the shape of the head.
What is a portrait?
Nezalezhno vіd vіdnya maisternostі robot over him lakaє be-such an artist. Miraculous artist John Singer Sargent gave the portrait two powers, with which the leather artist could come in handy:
- “Shortly, painting a portrait, especially for a prayer, I am spending a friend.”
- "A portrait is just a picture, on a zreshtoy ruin they look like it's not like that."
The portrait is one of the most popular genres in small and medium painting. The reason is those that the artist often works on the design, and the pressure from the side gives the creative process. The portrait at the vista of the deputy often looks up to what the artist is doing. In addition, for work on the images of a human being, special knowledge is needed and that little bit of patience.
New proportions
Proportions are needed in order to understand how the objects are raztoshovanі vіdno one one at the expansive, flat and intermediate spіvvіdnoshnі. Even for a portrait of an important one, even though there is a small part of realism, without knowing the proportions of which one cannot reach. On the other hand, abstract portraits of no one skasovuvav.
Knowing the proportions helps to convey the image as a figure, and the emotions and mimicry of a person. Knowing the staleness of changing the sovnіshny look from the position of the head, the emotional become of the model and lighting, the artist can transfer the character of that mood of the person to the canvas, thereby creating the object of mysticism. But for whom it is necessary to know the correct proportions of an individual and to be able to compose according to the rules.
Ideal proportions
In the period of the High Renaissance, Raphael, having created paintings, seemed to have a deep sense of perfection. In fact, all current ideal proportions take their cob at the oval shape of Raphael's Madonnas.
If you want to draw a vertical line in the very center of the individual and divide it into three parts - from the line of hair growth to the brow, from the brow to the tip of the nose and from the tip of the nose to the chin, then the ideal individuals and the parts will be equal. On the little one lowered below, the ideal proportions of a human being are shown, the drawing scheme and the appearance of an ideal oval shape, as well as the alignment of the main figures. Varto vrahuvati, that the ideal of a human being is characterized by more ungrabable rice, but, without respect for the price, the main roztashuvannya in accordance with the representation scheme.
Vykhodyachi z ієї schemes, іdealnі і proportionsії individuals іn painting a portrait іdpovidat an offensive formula:
- BC=CE=EF.
- AD=DF.
- OR=KL=PK.
Individual shape
Proportions of the individual were correctly urged when painting the portrait to lie richly in what and in the form of the individual. Raphael created a perfect oval, and nature does not distinguish perfection with just one geometric shape.
Imovirno, consider the proportions of that yoga change for an hour, the most successful on an ideally oval person, with the help of which many methods and techniques, they will be looked at lower, but the essence of the portrait is over the created ideal, and the imperfections of the people are depicted with it. It is also important for you to know what kind of form the denunciation may be, and how it will be poured into the proportions when painting portraits.
Round shape
A special person may be rounded shape of the hair growth line and hairline. The vertical middle line of the face is richly dowsha behind the horizontal. The characteristic of the lower ones is the sound of a high forehead and the great rise between the upper lip and the base of the nose. Sound the width of the chola approximately equal to the width of the forks.
oval face similar in shape to turn the gostroy side down with an egg. The widest part of the yogo is the foreface, then we go to the smaller forehead and the ridge of the slit. Dovzhina oval guise of a troch is larger than the width of the yogo.
Round face characterized by practically equal middle lines of the vertical and horizontal cuts of the guise. Wide forks are smoothed by a smooth rounded line of the ridge.
Kutasti form osib
Straightforward denunciation it is characterized by a wide slit, an armchair-shaped ridge and a straight line of hair growth. The middle line of the vertical cut is thickly extended beyond the horizontal. The width of the chola of a person with straight-cut faces is approximately the same as the width of the forks.
Trikutne it grows in the form of a heart-shaped lichen with a line of hair growth, in a knitted won it is straight. Characteristic rice tsієї form osіb - vysokі volitsі і arch vuzke, gostre pіdboriddya, in that hour if the volitsі are practically as wide as the forehead. The vertical line of the cross section of a tricot individual sounds like a troch dosha for the horizontal.
square shape domineering to persons with low, wide forks and impregnable pіdborіddyam. The dove of a square individual is about one-and-a-half wide.
Trapezoidal it is distinguished by a wide slit, low forks and a narrow forehead. Sound on such a face as a kutaste and wide, and the forks are richly wider for a cholo.
Rhomboid shape individuals put on a proportionally high cholo and pіdboriddya, moreover, the rest of the sound of zagostreniye. The high forks are the widest part of the diamond-shaped appearance, as the horizontal band is thicker than the vertical one.
Correctly shikuvannya individuals
When painting a portrait, it is correct to be guided by the vision of the model and the appearance of the models between them. The leather portrait is individual, as there are no two absolutely identical characters, twins. The formulas for calculating proportions give more than the main reasons, for which you can make the process of painting much easier.
It is important to know the correct transfer of proportions for the creation of high-quality characters, or the painting of special memory. Here it is important to remember that the shape of the head is richly folded behind an inverted egg or an oval, and for that, the varto did not rule, so that the eyes would sink on the forehead, or too small a company.
Outline individuals
For the cob, a little bit - it will be a wide part of the skull. As you can see, the main rice individuals sit on the ground under the stake. To approximately mark their places, divide the column vertically and continue down the line so that the lower outline of the stake extends evenly. The bottom of the line will be the top of the board. It is necessary to draw lines from the sides of the stake to the “bridge”, so that they become the front contours of the fork and cheek.
If the portrait is drawn from the model, or from memory, then you can make a decal with light lines to adjust the shape, approximate the width of the border and the line of hair growth. Varto revere the respect that haired on the portrait occupied a part of the stake for a day, as if it was painted on the cob itself.
Eyes and eyebrows
At the base of the stake, a horizontal line is drawn, perpendicular to the first. On this line, the eyes are rolled up. On my own, not more, I wanted to bi yak! The horizontal line needs to be divided into five equal parts - the skin of them is more wide than the eye. The central part can be buti trohi shirsha. Eyes ruffled from both sides in front of her. For a farther calculation of proportions, it is better to indicate, de roztashovuvatimutsya zіnitsі.
In order to signify, high above the eye, the eyebrows are to be blamed, it is necessary to divide the stake into two equal parts, from the bottom uphill. On the horizontal line, passing directly over the eyes, the eyebrows are raised.
Nіs ta ruin
The vertical line of the lower part of the individual needs to be divided. The badge of the middle is there, de may be the base of the nose. The width of the nose can be easily determined by passing parallel lines down to the bottom of the inner folds of the eyes.
Reshtu - from the nose to the boarding - it is necessary to redistribute the navpil. The middle line runs from the line of the company, so that the upper lip is ruffled above it, and the lower lip is below it. The width of the company can be turned around by passing parallel lines down through the middle of the ribs. The width of the nose should sound the same as the width of the nose.
Pobudova proportions of human appearance, described above, є by a simpler method and suitable for ideal osib, such as nature is not so rich.
The person is the mirror of our cultural development, special certificate that genetic features of the genus. And yet, why can we say about one person without special enthusiasm, “So, she’s pretty,” and the appearance of others simply enchants us with her beauty?
A lot of learned minds joked about the question “What is so beautiful?” more than a thousand years ago. I not in vain! The Greek philosopher Pythagoras was a firm believer, who didn’t reveal the secret of beauty more than he should, but who should bring beauty to the all-world. Vіdkriv, scho lines and creatures grow with exact mathematical laws, and everything is more beautiful in nature according to the law of the "golden cut"
This is why such a proportional rozpodіl vіdіzka on nerіvnі parts, while the whole vіrіzоk is so brought to the greater part, like the largest part is brought to the lesser part. In other words, the smaller one is so brought up to the bigger one, like the bigger one to the whole.
Trochy tangled, chi is not it? Ale is easy to understand by looking at the sight chicken egg Even more, one of the impersonal applications of truly divine proportions.
It means that the beauty of the flower is that of a sea shell, it’s not vague! Pythagoras has calculated what the code of beauty of the spіvvіdnoshennia is 1:1.618. And don't believe it, but the spivvіdnoshennia is true. Try vymіryati vіdstan vіd podlogi up to the navel, and vіd navel to the head. If you have the correct body proportion, the ratio is 1: 1.618. In a beautiful face, the width of the mouth becomes 1.618 of the width of the nose. Dentistry, in his line, noted that the anterior tooth is 1.618 wider than the onset. Behind this very principle are the phalanxes of our fingers. I have a lot of such applications. On a beautiful face, spivvіdshennya is repeated again and again. And, in our century, the development of plastic surgery, dentistry and cosmetology, the law of the "golden feather" could not be enforced.
Vіdomy plastic surgeon Steven Marquardt 25 years ago worked on it, sob to grow individuals, deformed in the form of people or as a result of unfortunate fluctuations, acquired. Ale, the result of yoga is not zavzhdi vlashtovuvav. Vin asked: “What is such a privilege?” and having studied this topic in detail. Having set the chain of nutrition for the fakhivtsy from the beauty industry, otrimav dosit different and great abstract views. And yet, a plastic surgeon and viraz like “the beauty of unity from the all-world” for a new empty sound. Purposes of directing the surgeon, having continued his searches and viviv universal factors that describe the beauty (div. article“Universal beauty factor. Is it really a guess? ).
Ale didn’t sing about it, and, taking as a basis the practice of Pythagoras, Leonardo da Vinci and the German professor Zeising, having learned about the “golden veneer” and viviv the formula of an ideal individual.
Nіs at the profile and full face is a tricutnik, at the beautiful side of the tricutnik at 1.618 times it is more, lower than the base. A trikutnik can be buti transformations into a p'yatikutnik. If the face has the best contours, and the best face has a smile, then a penny is called to the new one.
Steven Marquardt poednav mustaches and pyatikutniks, having restored the mustaches with the number 1.618 and having created a mask - “beauty mask”. Іsnuyet chotiri types of masks: face, face with a smile, profile, profile with a smile.
Chim better mask people come, they are prettier than її guise. The mask is suitable for both women and men, regardless of the race.
The mask is suitable for us beautiful people of past eras.
Check if your person seems to match the ideal proportions! Detailed instructions at the stati
What is more beautiful disguise? It’s important to know what it’s like, what it’s to be remembered, it’s better to look at rice, for someone it’s more beautiful, it’s better to wear lips and “lyalkovi” eyes, but it’s better to saturate beauty simply in healthy skin. In fact, evidence on the chain of nutrition has been known for a long time, long before the advent of aesthetic medicine as such.
Garne of disguise - tse harmony of disguise, and harmony - tse correct spivvіdnoshennia of all parts of disguise one to one. Today, everyone can talk about golden peratin - a marvelous formula that reveals the secret of ideal proportions of appearance.
The rule of the golden cut allows you to create a harmonious disguise
Indeed, everything in our world is perfect and harmonious. Nature prompted everything in such a manner that for normal, natural minds navkolishniy svit reminiscent of perfect beauty. The ideal shape of the snowflakes, the gaudy beauty of the creaturely world, the marvelous growths and the still impersonal naming speeches, like they oppose us today - all the creations of nature.
For a long time, people tried to discover the secrets of nature, to conduct a mathematical analysis and understanding, as if they were going to create beauty.
The rule of the golden cut is a marvelous statement, a mathematical formula that reveals the secret of the ideal proportions of an individual.
Golovne now - just learn how to properly coristuvatisya with it.
Golden peratin:
- revealing the secrets of the golden cross: Pythagoras, da Vinci and the Egyptian priests;
- how to capture the secret of the golden line in aesthetic medicine
Vіdkrittya secrets of the golden cross: Pіthagoras, da Vinci and the Egyptian priests
The Egyptian priests were the first marvelous mystery of the golden peretina, and they jealously guarded them in the minds of others. By itself, following the principles of ideal proportions, one of the wonders of the world was created - the Egyptian pyramids. At their base there is a square, and the side of the wedge is an equal-femoral tricot with a straight kut at the top of the kutami with a base of 45 degrees.
At the pyramid, the side of the base can be seen up to її height like 1.618 - tse and є smut is the number of the golden peretina, the Divine proportion is the number "fi". In 550 years before ours, to Egypt, the old Greek mathematician Pythagoras violated, and as a result of respectful vimiriv and pidrakhunkiv yoma, he was able to understand the principles of the Egyptian pyramids and learn about the very number “phi”.
How to say more my simple, then the golden cut - the same proportionately cut the crown on the two uneven parts, while the entire crown goes up to the larger part, like the bigger one goes down to the smaller one.
One of the greatest painters in modern world history, Leonardo da Vinci, is also successfully painting this secret. Vіn zrozumіv, scho closer proportions of the figures of that individual person to know to "fi", tim more beautiful won vvazhєєє. In this rank, the artist did not demand more wonder of the marvelous beauties, so that the stench became yoga mistresses.
Leonardo da Vinci just painted like a woman, and then shaped the proportions of the figure and the appearance of the proportions of the golden peretina. You see, having recognized, that the dazzling masterpiece of light painting - the portrait of Monya Lisa, has been adjusted to itself according to the principle of golden peretina. Now you can boldly admit that the solution to the greatest mystery of humanity - the marvelous "Jokoni's grin" itself lies in mathematical roses.
How to capture the secret of the golden line in aesthetic medicine
With the number "fi" everything was clear, and with Mono Lisa tezh, and how to zastosuvat the secret of the golden line in modern aesthetic medicine - nourish you. The answer to this question is the very same Leonardo da Vinci. Vіn rozrobiv so called the gold line, spіvvіdnennia storіn yakо dorivnyuє that very number "fi".
Every now and then, the contemporary artists adapted the marvelous vision and designed the “mask of beauty”. With help, and also with the help of new technologies, it is possible to “understand” the picture of an absolute ideal.
Modern injectables, hardware and operational methods allow you to remember the volumes that should be rejected, pull up the omissions of the fabric and generate a lot of speeches in order to correct the image. But those who miraculously approach one person, on the other hand look absolutely stupid.
It is not possible to introduce the same number of filers to everyone in the mouth, or for one pattern of nose trimming.
Beauty is in harmony, and harmony is in proportions. Koristuytes correctly with the secret of the "golden cut", open up the spivvіdnoshennia of the quiet chi and other parts of the disguise one to one, and work to perfect beauty. Leave your questions, suggestions, and advice in the comments to the point of the article.
We are opening a new series of thematic articles about the person.
The disguise of a people will always be and be the key part of the soundness. Itself on the face of mi zvertaemo respect, we pick up the speech to the face, turn on the respect and embellish - the face.
The shape of the individual, yoga proportions, lines, drawings are added to the impression about the person, to the image of the swearing. It is also important for him to protect the specialness of his own person at the hour of creation, the image of his own style.
In this series of articles, there is a worldly difference in the type of form of an individual, we will talk about the peculiarities of the selection of accessories, embellishment, make-up and improvement of the individual’s features, we can see that the quieter images of the individual on the scale of appearance.
And why do we ... from the ideal :)
To speak eloquently about "great eyes", "round appearance", "small nose" it is necessary to be distinguished in the first line, so that you can point to the point.
It was understood, about those, "skіlki v_shati in grams", more precisely, what kind of remembrance of the part of the individual in centimeters, but can not.
Sound, if we talk about the characteristics of the figure of an individual, draw on the balance of proportions, spivvіdnennia razmіrіv razmіrіv rіznіh parts of the individual among themselves that їhnє setting up to the individual as a whole.
So what proportions are considered ideal?
1. Spivvіdshennja dovzhini individuals (in line scho to pass through the lower point of the line to the growth of hair) to the width of the individual in the widest area to become approximately 1.61 - so the titles of "golden feather". Tse spіvvіdshennya dovzhin dvoh vіdіzkіv one to one victorious ancient mathematicians, but wider breadth - in mathematics, in painting, in architecture, and in rich other areas, it was nabulo light hand Leonardo Da Vinci.
2. The width of the individual along the line of the eyes is longer than the old one from the outer fold to the inner one (without raising the eyes), multiplied by five. With this, it is ideal to stand between the inner corners of the eyes until one long eye. Vіdstan vіd zvnіshny kutа oka to vuha takozh dоrіvnіuє one vіdzhіnі і oka аbo troch less. Here the thoughts are divided: partly dzherel to talk about the appearance of the middle of the eye and edge of the eye, the other part - about the appearance of the middle of the eye and the voh.
3. The eyes should be on the line to divide the head horizontally. Go not about the face, but about the head as a whole - along the line along the lower point of the boarder to the top. The line of the eyes is subdivided into two equal parts.
4. Vіdstan in the upper line of hair growth to the line of the brows is longer in the line in the line of the brіv to the line of the nose and dorіvnyuє in the line in the line of the nose to the line of the forehead.
5. Width of the nose is normal between the inner corners of the eyes:
6. The width of the company is dorіvnyuє vіdstanі between the irises of the eyes. At some kind of dzherelah, it’s prone to stand between the windows of the eyes, but really, the loss here is small:
Like a point in the middle of the edge of the lower lip, weeded by the equilateral trikutnik:
7. Eyebrows. Eyebrows begin on a line that runs vertically through the inner fold of the eye and the line of the wing of the nose, and ends at the point of the line with the line drawn from the wing of the nose through the outer fold of the eye:
8. Vuha rose between the lines of the eyes and the line of the nose;
9. Height of the old tree of the eye:
This is the main proportions of the individual. The most significant difference among them is the meaning of the characteristics "great", "small", "low", "high" thinly.
Let's talk about the methods of determining the proportions of an individual, and also look at different options individual forms.
May 01, 2011 By: admin Category: Make-up Artist's Secrets, Makeup Artist's Secrets
Make-up and "Golden Perez" with correction of appearance
First, on what a man’s respect is, he obligated and the form of all the most important objects. Respect to form comes out of two basic needs: self-preservation and exercise to harmony. Form, in the basis of urge to lie improve the symmetry and the "golden cut", I create in people I see harmony and beauty.
"Golden peretin"- a harmonious proportion, in which the whole is always composed of two main parts, as if they are rebuying one to one at the same time from one to one.
"Golden peretin"- ce re-arrangement in two parts in such a way that the second part of the larger part is paid to the second part of the smaller part, just like the second part of the entire cut to the second part of the larger part and can be covered by a coefficient of 1%.,62 or 100% + 68% = 23
The principle of the golden tie- revealed as a universal canon of structural and functional perfection of whole and yogo parts in rich areas, and nasampered - in nature, science, architecture and inspire mathematics.
rule "Golden peretin" zastosovuєtsya and in make-up with correction of appearance, and help to visually approximate to harmonious proportions and forms.
In this rank, you can shape the oval of the face, expand the shape of the eyes, nose and eyebrows.
Harmonious stand between the eyes and the longevity of the eyes, may be adjusted for additional visual aids.
The main method of visual correction in make-up is based on the principle of light and dark tones. Dark and cold colors - change the volume, extend that shape, and light and warm colors - increase the volume, bring it closer, expand between. It is also necessary to take your natural color type to the point of respect, otherwise, to which you have gone ...
3 first look
What does it look like on a physiological level, if we know a new person? Our brain is being repaired quickly, pratsyuvati: a man is a woman, young or old, what is more important - friend or enemy?
At the comrade’s skronevy part, the coprus amygdaloideum veil is ripped, as in the second part of the second, it is estimated the viraz of the person’s appearance, as it stooped at the field of our dawn. In the main hall, it works like a detector, a stage of insecurity, but it also reads fear, trust, hatred and pretentiousness. In addition, it’s “relatively” to follow him, where the directing glance of our partner is for an hour of conversation, that helps to understand, to the point of my mind. Signaling us about unsafe conditions, coprus amygdaloideum is marked and beautiful. The person, as I appreciate it, I’ll give you a carefree one. When colliding with a garnoy person, the world is relaxed and it is necessary to trust him.
Winning success
What kind of person do we look beautiful, squarely in front of the state?
Nasampered, yakomu has contrast. The very same meaning for the distant beauty can be seen: the visnovka was the most contrasting organ. The brightest and most singing color of the eyes, the more wine contrasts with the eyebrows and the veins - and as a result of the guise we look more familiar. Therefore, make-up calls help us to create contrast. As if the eyes are not more than great, or not more than bright, the women vicorist the carcasses and the water. More zastosuvannya ensures greater contrast, but simply seemingly, viraznist. Those same vіdbuvaєtsya with lips and teeth. Red lips and ideally white teeth create the same visual image that is called sexy.
Another factor that calls for insane pretentiousness is the symmetry of the individual, and the same proportions of the right and left parts. One trace calls to those who cannot be absolutely symmetrical in human form. That is why proportionality is close to robbing a person more graciously.
What is the difference between the upper and lower parts, then our look takes the name of the child cholo: high and puffy. Obviously, the upper part of the individual is to blame for the greater part of the lower one.
Vzagali people, the shape of the head of which is impossible, koristuyutsya success. Vcheni explain this fact with a cult of youth and instill childishness in the whole world. In addition, it has been established that in the process of evolution, the skull of a human being step by step swelled the bottom and round outlines of the daedals. Pіdsvіdomo mi priymaєmo wrong - bumpy or vityagnutu shape of the head like an atavism, domineering to our distant ancestors.
Wanting women and people to appreciate the beauty of one another in a different way. The women formed a body among the people calling out for trade. Why can't you say about rice reproach. A woman can become a woman. Ale appears, and the person at the singing sensei - so. The myth about the privatility of a square pidboridya is left unresolved. Modern women sympathize with representatives of strong status from oval faces. We appreciate that zaiva masculinity has become associated with aggressiveness, and also with anxiety. And, as you remember, our coprus amygdaloideum is sharply stitched, so as not to let the enemies come close. Under the hour of the test, the participants were asked to evaluate the number of points (the number of photographs of the representatives of both articles was equal), it turned out, the women took a greater number of points. Vcheni vvazhayut, scho z tim, scho zhіnocha zvnіshnіst saved less creatures sign, nizh cholovіcha.
"Golden peretin"
As you can see, the regularity of the harmonious forms prompted the ancient Greeks trimali in the taєmnits. It was obvious that the absolute law of the form creation in nature is subject to everything, zokrema and people. The very term "golden veil" was foreseen by the great Leonardo da Vinci, who revealed the geometry of the appearance, the regularity of yoga harmony and beauty. Otzhe, you can proceed to vimirіv i vi...
Leonardo Da Vinci. Body proportion. Little ones. Venice Academy.
Little Leonardo, who represents the proportions, is admired by the artistic features and the vignette accuracy of the anatomical forms. The scale of proportions is squared, the lower side of some ancient height of the body and includes a system of extensions, which allows you to install a dividing line for the help of a compass at the vіdnosinah vіd 1/2 to 1/96 figures.
The following blues are indicated on the little one:
The height of the knee to the lower edge of the knee cup = 1/4 figure.
Stand in the ground to the point under the pubic articulations = 1/2 figure.
Vіdstan vіd zemlі to іnії nipples \u003d 3/4 figures.
Vіdstan vіd zemlі to the handle of the thoracic brush = 5/6 figure.
Vіdstan vіd zemlі up to nose = 11/12 figures
V_dstan in the middle line to the cob of the hand = 1/8 of the figure.
Extend from the middle line to the elbow = 1/4 of the figure.
Stand in the middle line to the hand = 4/10 of the figure.
On the right front shoulder, a thin line marks half of the distance from the elbow to the top of the middle finger.
The master shows the blue between standing and standing positions, if the navel becomes the center of the body.
Notes to this baby (Venice Academy)
The achievement of proportions was for Leonardo da Vinci the subject of constant turbot, often turning to them and clarifying them. The most noteworthy proportions can be found on the sides of Windsor's "Quaderni d"anatomia" collection. A number of practical notes are included there, as well as mnemonic rules for maistrіv when vimіryuvannі and zіstanovnі vіzmіrіv tіla.
That part of the foot, like a dowsha for a kitty, old comrades in front of them on the equal swamp of the brush. The arm extends from the shoulder to the elbow, with a bent front shoulder, it swells into a part, equal to the joint of the knuckle at the profile, or from the lower edge of the arm to the opening of the mouth.
The upper edge is bent at the upper edge of the shoulder to the elbow, the second height of the head, and the second height of the head falls on the back of the arm from the elbow to the cob of the fingers on the shoulder.
Tsya jealousy has become more familiar than the jealousy of Leonardo da Vinci.
The maximum width of the hand with twisted and closed fingers is equal to the maximum width of the foot on the cob of the fingers. Vіdstan іn vіd vіdіshnyої іstochki up to the end of the great finger аrіvnyuє dolzhinі tіstі. (Leonardo da Vinci, "Tradebuchernunden").
More little ones, which illustrate the rules, may have less schematism, lower in the proportional schools of Venice. The line of the little one is often kolivaetsya at the hour of the restoration of spivvіdnoshennia.
At the rich-faceted features of Leonardo, the respected posterity of nature and the esthete are angry together, the opinions - of the artist, the biologist, who can be sharpened almost like morphological data, - of the mathematician, who is ideally numerical in terms of the size of the body. Garni forms, fixed by artistic canons, often do not agree with the biological laws of smallness of proportions. "Do so, so that the skin part is proportional to the whole. So, in a short and thick person, all the signs of guilt are depicted the same way, so that the arm is short and thick, the hands are wide, the shape is wide and short, and the swamps are the same, like and іnshі" ( Leonardo da Vinci, "Traite de la penture".
"The artist is guilty of bending to universality. If there will be concessions to goodness, like one word, it's good to do good, but it's bad for others, like it's rich, it's proportionally folded bare body, don't keep it different, even if it's thin, you can be proportional middle" (Leonardo da Vinci, ibid.).
Kanoni beautiful figures
For a long time, the canons of the beauty of the woman’s body changed. Kanop - the word of the Greek adventure, out means the norm, the rule. Ancient Greek sculptor Poliklet (5th century AD), having written the treatise "Canon", for some viviv digital law of proportions of the human body. According to the law, in a perfectly folded figure, the head is guilty of becoming 1/7, the person 1/10, the head at once from the neck - 1/6 of the dozhina of the whole figure; at the same time, the number of shiї may be twice as large as the stake of the wrist, and the number of the waist is 2 times more than the stake of the shii. Kolo homilka maє buti is approximately more expensive than cola shii, and kolo stegna - 1.5 times more per kolo gomilka. Dovzhina stop (podoshvi) is guilty of dovzhina dovzhina before the shoulder, or the stake of the brush clenched into a fist (tse, before speech, vicorist modern women when picking up panchokhi, gagging on the panchok’s footsteps around his fist).
The ancient Greek sculptors at the time of the creation of the statues were treated like the canons of Polykleitos, and the rule of the mathematician Pythagoras (VI century BC), which, having respected the body proportionally, became 1:3.
A prominent Italian sculptor and artist of the Renaissance (XV century AD) Leonardo da Vinci created his famous canon. Yogo little one, on which a person is depicted with legs spread sideways and arms raised to the sides, inscribed in a colo, to the whole world. Behind the canon, the center of the stake is the navel. H and on this little one a square is depicted, which shows that a proportionally folded person stands between the fingers of his hands spread out at the side of his hands, and the growth is to become chotiri dozhini stegna (Fig. 11).
It was divided into different systems of modules (worlds), with the help of which the same rules were established for the spivvіdnoshnja parts of the body, its proportions. For example, according to the rules of the ancient Egyptians, the dozhina of the middle finger is obliged to fit into the dozhina of the body 19 times, the dozhina of the hand - 5 times, the dozhina of the foot - 9 times. Іsnuyet and інші rules of proportions of parts of the body: height and height of the feet; dozhina stop dorivnyu dozhina in front of; the width of the shoulders is the same as one of the fourth dozhina of the body (for women); near the breasts at the station, no less than half is calm, and the waist is no more than half the growth; the shoulders of the people are 6-10 cm wider for the quilting, the women (especially the people) may not have a shoulder strap.
Kanoni Krasi: formulas of the enchanting body
Rice. 11. Proportions of harmoniously folded body after Policlet (a), Pythagoras (b)
and Leonardo da Vinci (c)
All these rules are of little use for characterizing the statue. The index method has the largest width, which counts the length of the length of the lower ends and the width of the shoulders to the full length of the body. Ale and wines are not perfected, to the fact that when the absolute measurements are set, the body is left without balancing the correlation between them, which adds to the value of the indexes. The most acceptable and thorough designation of the types of statues is the constitution of the people.
Beautiful Marmur statue of the goddess Kokhannya and beauty Aphrodite Miloskoy, found on the cob of the XIX century.
Leonardo da Vinci seriously embraced sacred geometry. Yogo canon of people becoming one of the most important robots. The first thing that opposes in yoga canon - tse those, astonishingly mi on a new lacing. We know what is important for the new one; Without a doubt, we don’t know for sure what it is, but all the same, in which little one there is a great amount of information about us. The center of the stake of the described body is exactly in the navel. If you move the center of the stake down to the center of the square, you can observe the following patterns:
Dovzhina vityagnutoy dolony in the line of the wrist up to the tip of the middle finger davzhina in the top of the head to the upper point of the stake.
Tsya dozhina dorіvnyuє vіdstanі between the navel and the center of the square.
So Vinci showed that the proportion fi appearing in thousands of places throughout the whole body of a person:
The dozhina of the skin phalanx of the finger is in proportion fi to the offensive phalanx;