Katerina's remembrance before a thunderstorm. Boris and Katerina
Miraculous and fair words, having said about the song "Thunderstorm" in his sheet to A. N. Ostrovsky V. P. Botkin: they took such a plot, a kind of crosswise poetry, - a plot that is impossible for someone who does not have poetic creativity ... Katerini's Lyubov lie down to the quiet manifestations of moral nature, to which light cataclysms lie in physical nature. .".
Otzhe, Katerina is zakokhana at Boris. After reading this row, you can only calm down: “Well, fuck all the ages ...”, or you can deeply understand that love before Boris became a real tragedy for the heroine of The Thunderstorm, having potentiated that drama, like a woman she experienced, leaning on "dark kingdom".
Katerina is a thin, merry, poetic girl. Tse people are highly moral, simply stuffy, inconspicuous in stosunkah with people. You won’t be able to lie, go in, grab your own feelings. It’s too deep for him, if you have succumbed to Boris and fallen in love with Yogo, you can’t influence anything with yourself. “Hiba I want to think about something? - mіrkuє vona. - That scho robiti, if you don’t see the head. I don’t think about what, but I just stand in front of my eyes.” For the zamіzhnoї Katerina, faithful to her man and god, for love becomes a good moral cake. “It’s as if I’m standing over the prіvu and I don’t have to go there, but I won’t be bothered for anything,” - this is how she describes her camp.
Being kind, Katerina is a bad person, whom she never loved and did not love, with whom she can never be happy. Vin is a weak, weak-willed person who allows herself to be belittled in the eyes of her squad.
Boris and Katerina are uncompromisingly flirtatious, the shards of married women are trimming at Kalinov's house with locks. Tikhon's sister, Varvara, takes on the task of solving the problem, for she hasn't had any moral transitions for a long time. “I didn’t bullshit, - it seems to myself, - she twisted, if it became necessary.” It is unlikely that Katerini would have been able to master this science.
Leaning back, Katerina still accepts the servants of Barbara. She can no longer be found in the suffocating atmosphere of hypocrisy, lack of freedom, tyranny, she is not able to overcome her own fool. The heroine is going to a great sin - she dares to get in touch with Boris. The share is like this: Ka-banikha rules the sin at home. The situation that Katerina is experiencing is painful, but we can’t fix it. Dekilka zustrichey with Boris visvitlyuyut її life in exchange for happiness, but not for a good time.
Boris is staying at the fallow camp because of his uncle, the merchant Wild. Vіn is an orphan, and grandmother yogo ordered in a commandment about those that Boris would take away the fallow land only after more than once, and only for the mind of a shanobly setting up to the uncle, which in principle is impossible. Not to the one Boris does not advance to the elders, but to the one who is in Dika, a master, rude, innocent and cunning person, it’s impossible to reach. Prote Boris continues to live in the uncle's booth, patiently bearing everything. Yogo has no strength in character, as if he could help him overcome it.
Having drank to Kalinovoe, Boris, just like Katerina, feels unsettled. “It’s really important for me here, without a sound! - vin. “It’s wonderful to marvel at me, why I’m here, why I respect him.” Unstoppable misfortune for the new flock of love. "Forcing, slaughtering, - vigukuє vin, - and here it’s more foolish to think about it."
Boris can't mend his guts. “I’ve already died…”— it’s like vin, revealing his mystery Curly, and don’t finish the phrase, because it’s so clear. However, it is not possible to grow the first crop of wines. Barbara shows up where we sleep for the new one. Boris accepts his service, but the axis of renown cannot help it. Punishment uncle, vіn heard virushaє to Siberia. Take Katerina with you to the prohannya Boris vіdpovіdaє vіdmovoi - vіn uncle beware. Boris is actually protecting Katerina, throwing her in this position.
The heroine appears strong for Boris. You won’t, you can’t lie, as if about your love. Vaughn throws a cry to the “dark kingdom”, rushing to the river. Boris, obviously speaking to Katerina, and only one, whoever you can help, - help me to death.
Ostrovsky, showing Katerina as a woman, as if "clogged down with a middle ground", and at the same time pouring her with positive features of a strong nature, building a residual resistance to despotism. About Boris, the critic N. Dobrolyubov said that he was guilty of the same Tikhin, only “illuminations”. “The Holy Spirit gave him the strength to rob the capo... but it didn’t give him the strength to resist the gods, like to shy away others...”.
Katerina is spying on Boris, and her heart seems to be clouded, like the one she was joking about for so long. Ale chi tse so? No, Boris is far from ideal, you can’t give Katerina what she wants to ask, but to herself: rozuminnya that zakhistu. Vaughn can not be felt with Boris "as if behind a stone wall." And the justice of which confirms the falsehood, the fearfulness and insensitivity of Boris's actions: he leaves Katerina alone, throwing "on the vows". Terrible є tsі "vovka", but the stench of the "Russian soul" of Katerina cannot. And the soul in it is true Russian. And Katerina joined the people, not only splintering, but also an honor before Christianity. Katerina believes in God so much that she prays at her room this evening. You should go to church, marvel at the icons, hear the ringing. Vaughn, like Russian people, love the will. And the very willfulness does not let me reconcile with the situation that has developed.
Our heroine did not sound a lie, and to that she spoke about her love for Boris of her man. Ale zamіst rozumіnnya Katerina zustrіchaє is only a direct dokor. Now I don’t care for anything in this world: Boris appeared not like Katerina “painted” his own self, and life in the Kabanikh’s booth became even more unbearable. Poor, innocent "a bird imprisoned in a cage," could not resist captivity - Katerina laid her hands on herself. The girls, nevertheless, far away, “fly”, they broke the rock from the high bank near the Volga, “spread their wings” and boldly sank to the bottom.
With her help, Katerina is to repair the "dark kingdom". Ale Dobrolyubov calls єїї "exchange" for someone else, not less than that її tragic death revealed all the vigor of the "dark kingdom" and showed the inevitable death for the quiet, who cannot reconcile with oppression, albeit to the one that Katerina's death will not pass and not you can pass without a trace for the "zhorstok vdacha". Adzhe is already born the anger of these tyrants. Kuligin - and having delivered the Kabanikha without mercy, navitt the vicarious mother, Tikhin, having publicly dared to throw in the guise of her remembrance in the death of Katerina. Already at the same time, an evil thunderstorm is brewing over the us “kingdom”, building a blast of yoga “down and gunpowder”.
And this light promin, that having awakened - let it go for one mile - the witness of the poor, undivided people, who are resting at the material stagnation in the form of riches, showing in a controversy that it is possible to end the unstriking plunder and self-satisfaction of the Kabih and gnat. Important is the significance of the image of Katerina in our days. So, maybe someone cares about Katerina as an immoral, shameless health resort, but hey, she’s guilty of what?!
Tikhin was blamed for everything, who did not attach proper respect and caress to the squad, but rather did not care for the joy of yoga "mami". Katerina is less guilty of the fact that she died for such a weak-willed person. Її life was ruined, and yet it was smeared with the remains of “promoting” a new one. Katerina boldly walked ahead of her, the docks did not realize that there was nowhere else to go. Ale and todі vona made the second crock, the remaining crucible over the river, which led to the next world, perhaps the greatest, and perhaps the greatest. I masculinity, the thirst for truth and freedom, to shy away before Katerina. So, apparently, she is not so ideal, she has her own shortcomings, but the courage to make the heroine an object for inheritance, worthy of praise.
Theme of the lesson: "Who is to blame for the death of Katerina?" (Lyubov Katerini at the play by A.N. Ostrovsky "Thunderstorm")
meta lesson:- analyze the image of the heroine; understand why she was called to love before Boris, to what the tse cohanna led.
Z'yasuvati Katerini's self-destruction is strength and weakness.
Z'yasuvati risi to the character of Katerini, why won't you be able to live behind the laws of the "dark kingdom".
Vchiti spend doslidnitsku work according to the text.
Vchiti vyslovlyuvati your thought.
Lesson form: dispute.
Methodically accept: discussion with the analysis of episodes, additional studies, musical supremacy, film selection and illustrations .
Ownership: A.N. .
Lesson Hide:
Organizational moment.
Organization of a group for work, indicative of the day.
Informed by those goals of the lesson.
Love is stronger for death, stronger for fear of death.
(I.S.Turgenev)
Sound of music: romance "Under the caress of a plush blanket" - 2xv 35 sec.
About yak kohannya sings in romance? (Love is self-sacrifice, what to bring to death).
The head heroine of the song "Thunderstorm" was called to death by the kokhannya.
The theme of our lesson: "Do not bother me, darling!" (Lyubov Katerini at the play by A.N. Ostrovsky "Thunderstorm")
Epigraph to the lesson: “Kohannya is stronger for death, stronger for the fear of death.”
How do you know these words?
If a person loves, then she is ready for anything, ready to sacrifice herself for the sake of the kokhan, ready to perform a feat in the name of the kokhan. The main heroine of the p'ysi - Katerina is ready to sacrifice riches in her name, inspire her principles, she throws herself at the vir, not being afraid of God's curry.
It is my fault to find out why Katerina was called to love before Boris, why Katerina laid hands on herself, Katerina’s death is a victory or a shock, reveal the drawing of Katerini’s character, why it’s impossible to live beyond the laws of the “dark kingdom”, why Katerina’s character has twists and turns. We are teaching a lesson in the form of a dispute, on which one are you guilty to hang your thought - Katerina's love - is weakness or strength? Self-destruction of Katerini - Peremoga tse chi hit? Can Chi be called Katerini's protest against the "dark kingdom"? By stretching the lesson from the skin, you can form a good thought from the first drive, as you hang out for an hour of dispute.
Implementation of homework.
In order to better understand the image of Katerina and її inconsistency with the norm and morality of the "dark kingdom", we will learn a big lesson, we will beat and call Kalinov's place, having taken the lead.
Zavdannya: "You know you p'esu "Thunderstorm" (distributing material)
Learn to read food and learn to read orally on the new
Food at home: Who among the heroes does not belong to the "victims", nor to the "lords" of Kalinov's place? (Katerina Kabanova). Why? (She doesn’t support anyone and can’t support herself)
New material.
1) Draw the character of Katerini.
Katerina is the main heroine of Ostrovsky's p'yesi, she is not ordered by the "masters" of life (Kabanikha and Wild), she is far from the laws of the dark kingdom, she lives like that, as her conscience commands. The names of the heroes create a symbolic sensation: Katerina is a Greek. "purity", "decency"; and the axis of the name of Kabanikhi is Martha - a Greek. "Mr.", "Mr.", so vain and vіdchuvaє in p'єsi; the daughter of Kabanikhi - Varvara - with walnut "foreign", "rude". Such is Katerina through her character.
How can the character be revealed from the first replies of Katerini? (read out replicas) - the absence of hypocrisy, directness.
Already from the first remarks of Katerina, the conflict is visible.
The signs appeared in such a way to the character of Katerina, as if the place Kaliniv lives for other principles? (vihovannya at the childishness, at the native house)
The life of Katerina at the house of Kabanikha and that at the house of fathers is divided.
At the father's house:
- "like a bird on the loose"
- “Mother didn’t chula in her soul”
- “pratsyuvati did not muffle”
- “Vishivala, went to church, walked”
At the house of the fathers, Katerina watched the hearts of her relatives, brought freedom, heard the roses of mandriving, prayed, looked at the church. Katerina's ill-tempered strife, that romantic attitude to life.
At the booth of Kabanikhi:
- "Zіv'yala, like a flower"
- "Look at you and bark"
- "All with primus"
- "You will not be afraid of me, I will prepare you"
At Kabanova's house, Katerina experienced zhorstokі stosunki before her mother-in-law, through which she blamed a postyny spiritual rebellion, that Tikhin did not understand Katerina. And he lives for the orders of Kabanikhi.
Injection of life from the Kabanovs on Katerina:
A) Awareness of one's own prejudice
B) Closure, rozcharovanist in family life.
B) Prejudiced freedom, love, happiness.
Now let's take a look at the character main heroine and why do you think the conflict is otochuyachim?
Draw the character of Katerini - the principles of life at the house of Kabanikhi
Volnolyubstvo - ordering
Independence - vіdmova vіd svoєї volі
A little bit of wetness - humiliation by doctors and suspicions
Mriylivist and poetic - the essence of spiritual cobs
Religiousness - religious hypocrisy
Rishuchist - do not let live for your will (bondage)
Kindness, bezkorislivist - rudeness that laika
Honesty, bezsperednist - deceit
Visnovok: For Katerina - Golovnya - live according to your own soul, and for Kabanikha - golovnya - piss off and not let you live in your own way. Here, a sharp contrast is to blame - an irreconcilable conflict is vibrating.
What is your thought? (immediateness, kindness, breadth, honesty thinly)
Pragnennya Katerini to freedom - tse protest chi camp souls? (Dumki uchniv)
2) Lyubov Katerini before Boris - how much more protest?
Kokhannya is the whole force of the plot. What is love? Appointment for Ozhegov's vocabulary (Love of children, fathers, friends, high-minded)
1) all the heroes talk about the kohanny, and especially Katerina.
2) Mova go about the rozne kokhannya (love batkiv, friendly, blue
and about love, like a high spiritual level.)
3) The first remaining remarks about the kokhannya lie down with Katerina.
4) In 4.D, where the scene of Katerini's repentance is described - there are no replicas with the word "love"
Katerini's tragedy - is it the tragedy of the kokhannya chi sovіstі?
Virsh A. Dementieva "The soul does not want to change"
Kokhannya is not less than pіdnosit.
Kokhannya ruins us for an hour.
Share that heart...
She is beautiful in her bajans,
Vaughn is so unsafe
Like vibuh, like nine grams of lead.
Vaughn vrivvaetsya raptovo.
You can't tomorrow
Chi don't bachichi cute guise.
Kokhannya is not less than pіdnosit.
Kokhannya to administer and all virishuє.
I'm going to the whole place.
I don't think about freedom.
Until the dawn in the soul to go,
The soul does not want to change.
The axis and love of Katerina - not only a little less, but a more ruinous, like it played a fatal role in its share, led the heroine to death. Self-destructive behaviors in the patriarchal merchant world were alone - we are familiar with the history of the creation of the song "Thunderstorm" (additional teaching)
“For the orders of Iogo Imperial Highness, General-Admiral, Grand Duke Kostyantin Mikolayovich, for new materials for the “Sea Collection”, the most prominent Russian writers were sent to the land, even though they were more expensive and relish for drawing prose. The stench is guilty of vivchati and describe the folk crafts, connected with the sea, lakes with small rivers, the reception of a ship-building ship and a ship-water, a camp of the country’s fishing industry, and the very camp of waterways in Russia.
Ostrovsky got the Upper Volga from the cob to Nizhny Novgorod. І vіn іz zakhoplennyam taking up the right.
“At the ancient dispute of the Volga places, which, by the will of Ostrovsky, re-creations on Kaliniv (the city of the city “Thunderstorm”), most often argue a little for the greed of Kineshmi, Tver, Kostroma. About Rzhev, the nem speechers forgot, and at the same time, the people of the secret idea of \u200b\u200b"Grozi" to Rzhev herself is clearly worthy!
De "Thunderstorm" was written - at a dacha near Moscow, or in the Trans-Volzian Shcholikov - it’s definitely unbelievable, but it was created with a sweeping swedishness, according to inspiration, for a few months in 1859.
For a long time, it was important that Ostrovsky took the very plot of "The Thunderstorm" from the life of the Kostroma merchants, which formed the basis of the story In Kostroma, like the fate of the Klykovs in 1859. Right up to the beginning of the 20th century, Kostroma residents proudly pointed out at the place of Katerina's self-destruction - the gazebo, like a small boulevard, literally hung over the Volga. Showed and budinok, the girl lived, - the order of the Church of the Assumption. And if the "Thunderstorm" first appeared on the stage of the Kostroma Theater, the artists made up their faces "under the Cliques."
The Kostroma kraisnavits dutifully rounded up in the archives of "Klikivska Prava" and with the documents in their hands the visnovka, which Ostrovsky won the very story at the robot over the "Thunderstorm". Zbіgi came out literally. A.P. Klykova was seen sixteen years in a gloomy and unsociable merchant family, which was formed from old fathers, the son of that independent daughter. Mrs. Budinka, suvora and dexterous, with her despotism made a person that child. She frightened the young bride-to-be like a black robot, encouraged her to hang around with her relatives.
At the time of Klikovo's drama there were 19 years. In the past, she wriggled at the kohanna, that cold soul in her grandmother, who did not expect, was cheerful, life-giving, alive. Now she has opined herself in this unkind stranger. A young man її, Klik, a turboless and apathetic person, could not defend the squad from the mother-in-law's utsiks and standing up to her baiduzh. The Klikovs had no children. And here another man, Mar'yn, who served at the post office, got up on the path of the young woman. Suspicion began, scenes of jealousy. It ended when, on the 10th leaf fall, 1859, the body of A.P. Klikova was known near the Volz. Having begun a trial trial of the court, like a wide voice to wind up the pose of the Kostroma province, and from Kostroma, no doubt that Ostrovskiy was speeding up with the materials of the census in "Thunderstorm".
A good ten years have passed, and the first surviving scholars of Ostrivsky’s work established precisely that The Thunderstorm was written before the Kostroma merchant Klikova rushed off the Volga. The work on the "Thunderstorm" Ostrovskiy rozpochav near the red-linden 1859 year and finished on the 9th anniversary of the same fate.
It is possible to develop an unfamiliar visnovka, that such raptures among the merchant’s middle class were trampled, so the patriarchal ambush of the suspenst did not allow life to be free, independent, but ordered, forced. The woman could not love the one she wanted, they did not see the world out of love, and she will not be reconciled to her share.
Katerina Kabanova did not reconcile, like A.P. Klykova.
Reading the dialogue of Katerina and Varvari (D.2, yavl. 2)
Who did Katerina kill?
Why does Varvara wonder about Katerini's kohanna?
What can be said about the principles of Kabanov's house? How did Barbara hang on?
Katerina fell in love with Boris, but Katerina's conscience, her religion does not allow her to cross the moral law - for the sake of a person. The citizen of Katerini commemorated Varvara, as he was attached to the laws of the "dark kingdom", learned to fool around and secretly like his mother chimed in with the Kohanim Kudryash. Varvara herself is the ruler of Katerina and Boris, if Tikhin is on the right.
Analysis of the scene "See Tikhon" D2, yavl.3,4,5.
(Reading from roles)
How do the heroes behave at this scene, how do they characterize them?
What is the significance of this scene, can it be developed?
(At this scene, the despotism of Kabanikha is manifested, the despotism of Kabanikha reaches its extreme, Tikhon’s unpredictability appears like a defence. Ale and understand Katerina. This scene explains Katerina’s decision to marry Boris.)
How to behave Tikhin before the entrance?
(In order to understand Tikhon’s spiritual camp before the exit, it is necessary to clearly show his camp in the mother’s house, his bazhannya would like to go two ways into the guards. With a little relief, Tikhin makes his remark: “So, mother, it’s time.” yet not all ... Mother vimaga, sob giving orders to Katerina, how to live without something ... Silent mind, that victorious will of the mother, humbles his squad.
If you set up the Boars to become more imaginative, Tikhin tries to rebuke Katerina, the mother is indestructible, and quietly, embarrassed, wobble in front of the squad, crying: “Do not look at the lads!” Meta Kabanikhi - bring to complete obedience of household and us in front of Katerina.
Analysis of the monologue with the key. D 2, yavl.10.
Let's try to understand why Katerina killed Boris?
We know from Dobrolyubov’s article: “In my passions, all life is saved for her; all the strength of її nature, mustache її alive pragnennya angry here. Before Boris, її are not the only ones who are like wine, who are not similar in appearance and promotion to other distant її, until the new year, її needs in a kohanna, did not know their own way in a man, and are depicted as a friend and a woman, deadly is the tightness of a one-man life, and the blessing of freedom, spaciousness, hot, defenseless freedom.
Reading a monologue. (read study)
How do you feel like you know Katerina, how do you feel like you’re feeling like you’re promoting? What is the meaning of the scene?
(Here the victory of Katerini's natural feeling over the dogmas of the house-building is revealed. Katerini is accompanied by short, urgent power and accusatory speeches, repeating, povnyan, which convey the tension of Katerini's feelings.
After an awkward entry, let Katerina think about life in captivity. Mova becomes more striman, vrіvnovazhenoyu. Katerina locks the solution to the cob - throw the key: “That one is in the same sin, so I’ll look at it again, even from afar! I want to talk!.. I didn’t want to win myself.” Part of the monologue is accompanied by remarks: thinking, movchannya, zamylyuetsya, thoughtfully marvel at the key that characterizes the camp of Katerini.
The monologue ends with a strong burst of feelings: “I want to die, but sing yogo ...”
Love's choice makes Katerina suffer. Vaughn speaks out of Boris.
A snippet from the movie "Thunderstorm" (scene "Backlash")
Why is Katerini's inner fold?
(Katerina goes to deception and stands in one row with Varvara, if Katerina’s nature is not powerful. The author shows the evolution of the heroine’s mental state - from destruction to the establishment of the right to kohanny. Katerina Boris "with a chuckle, but do not raise your eyes", "raise your eyes to marvel at Boris", "throw you at shiya".)
How is Katerini's struggle with herself shown in these monologues? (її monologues are tense, emotional, they seem not to have a mind, but a heart.)
Why is Katerina's daring evident? (I got into the mess with Boris, I worked out of the order of the heart, and not the law)
Visnovok: Lyubov Katerini - more than a little, she won’t give in to hypocrisy and go away, won’t follow the orders of her heart, destroying the moral and religious law - protecting people, that Tikhin didn’t try to win Katerina’s love, but she lives by the orders of her orders, to that “mother” Katerina did not know in a new way that love, that she joked on the side.
Otzhe. kohannya Katerini - more like a protest? (the thoughts of the students )
Repentance of Katerini (D.4, Yavl 6)
Katerina, after the arrival of a person, simply worked herself out on her own ... Tremt all, why її likhomanka b'є; Blіda is like that, throwing herself around the house, as if she were joking. Eyes like a broken one. ”
Why did Katherine change? (Katerina was religious, having healed a person, she made a serious sin, she went to deceit, to speak supernaturally of nature, it’s important for Katerina’s soul, it’s easier to recognize, repent)
The shards of the drama are called "Thunderstorm", then the motive of the storm is a stretch of the wind. Let's try to grow up, as if naming the main heroine.
Why, in your opinion, do you have a sense of the name?
(Thunderstorm - in nature - the motif of a thunderstorm is constantly felt, which is being worn.
A thunderstorm in the soul of Katerina - a bad luck for the morality of the "dark kingdom", a reason to live in your own way, love to Boris, bring the soul to confusion.
A thunderstorm in the future - a conflict is brewing, it is not necessary to live according to the norms of that
the rules of housebuilding, in the case of the unwittingly, they wake up with a sense of urgency.)
Thunderstorm in nature - refreshing
Thunderstorm in the soul - cleansing
Thunderstorm at the Suspіlstі - enlightenment.
Like the inhabitants of Kalinov took the storm
How is the scene of repentance motivated? (read out the lines from p'єsi)
(A thunderstorm is coming, as if to the thought of the Kalinovites, “we are asking for the early warning.” The gloomy coloring is getting stronger and the scene of diї - replacing the panorama of the Volga - a vuzka gallery with rotting crypts. Katerina is now “bezbrayna”. , before yakim wonna winna - for her katuvannya)
Why is Katerini's mental state different from D.1 and D.4?
(The difference in Katerina’s spiritual state is expressed in the її wiguks after the pan’s entrance in D.1 “Oh, how she slandered me, I’m trembling all over, as if she was prophesying me anyhow; D.4 .: “Ah, I’m dying!” Katerina check God’s curry, she’ll whisper a zahist with God, fall on her knees and roll the image of hell in front of her.
D.4.yavl.6. - Read the rhyme. How do you feel now Katerina?
(Just as in the monologue with the key and in the scene of the battle, the victory of the slaughter in the soul of Katerina is revealed, then in the scene of repentance, the force of gravity over Katerina of the norms of religious morality is clearly manifested.)
(Yakby Katerina took away her sin, learned to give in and deceive, continued to go to parole with Boris, that would mean that Katerina was stuck to the point of unnecessary suspіlstva, reconciled with yoga with moral pіdvaliny, despotism)
How is Kayatta Katerini explained?
(Katerini's repentance is explained not only by the fear of God's curry, ale y tim, that її high morality stands up against deceit, which will take away life. Vaughn said to herself: “I can’t deceive, I can’t take anything.”) Katerini is moral assessment of one's own achievements and thoughts to become an important beak of spiritual life.
How could Katerina know the way to the salvation of the soul? Why? (Dumki uchniv)
Farewell from Boris. (D.5, Yavl 3.4)
(Reading line)
Sound romance "And finally I will say"
Katerina throws herself at the Volga, not resigned to the laws of the "dark kingdom".
Why Boris couldn’t lie to Katerina
What can you grow visnovok?
Visnovok: Katerina didn’t hurt herself anywhere, she was called to kokhannya by the order of her heart, she was recognized by the enemy for her inner feelings of freedom (nonsense is not freedom), she says goodbye to Boris not only through a little love, but through those who suffered through her, rushed near the Volga for the help of a free soul.
Let me know that Katerina's death is a protest.
(The timid Tikhin calls the mother at the death of the squad, Varvara ticks from home)
Who prays for the heroines, who died for the kohanny?
Virsh P. Vegina "Keeper of the fire"
You ruin the middle.
Blue fire is virue
In the eyes of the soul.
Warrior at the kohanna,
What is the drama of you, what is rubbish?
І ty ruinuesh budinok,
To wake up the temple.
The heroine p'isi, ruynuyuchi sіm'yu, went to the kohanny, recognized the hvilin happiness, prompted the temple of the kokhanny, singsong the goddess of the kokhannya will pray for your soul.
Why can the city of Kaliniv, after the death of Katerina, live in the old way? (Dumki uchniv)
Work for the assistant (Reserve)
The role of Katerina was played by a lot of actresses, all of them approached differently to interpret this image
"Viconauts of the roles of Katerini"
1- Pigtail
2-Fedotova
3-Strepetova
4-Yermolova
5-Tarasova
6-Kozireva
Work for the assistant: How did the actresses instill the image of Katerina?
Visnovok: Diverse scenic insights - the continuation of the controversy: strength is his weakness? Protest chi humility?
6. Critics about p'esu.
“What can a critic be here?”
Instructions
Dobrolyubov "Promin light in the dark kingdom"
- "Thunderstorm" - tse revolutionary forces, which are seen at the depths of Russia.
The critic pointed out strong, rebellious motives in the character of Katerini
Katerina Bachimo has a protest against the boars to understand about morality.
Katerina is a healthy specialty. Yaka knew in herself the courage to end these rotten lives, be-sho-be.
D.Pisarev "Motives of the Russian Drama"
Katerina - tse "reasonable dreamer
All of Katerina's life is made up of internal wipes
Vaughn constantly rushes from one extreme to another
Vaughn on the skin crawl swindles her life and the life of others
Vaughn, having lost everything, cut the knots, which were dragged on, by the worst way - self-destruction.
Apollon Grigor'ev
Having enjoyed the poetry of folk life with Katerina
Having voiced on the beauty of nature, on the Volga, on the aphids, which are roaring up: “Nibi is not an artist, but creating a whole people here!”
7.Fixed.
T really busy.
Pouch for the lesson.
Otzhe, we looked at the lesson the image of the main heroine of Ostrovsky's song "Thunderstorm", what kind of whisker can you make? (strong, rich, healthy to love, stand up for your feelings, but don’t lie, deceive, fearing God - all this brought the heroine to death)
Razіbrat scheme. (Met Zolotarova st. 196)
Post your ratings.
Visnovok lesson: Katerina is a strong specialty, like she was able to love, she is ready for self-sacrifice in her love, but she’s honest, she’s not good enough for that, to deceive, tobto. to live according to the laws of the "dark kingdom", she took away the vihіd - self-destruction, to indulge yourself and your soul in order to correct your conscience and abide the norms and rules of Kalinov's place.
Sound romance "Kohannya - charіvna krajina"
9. D / s
Fold the characteristic of a literary hero - Katerini behind the plan (div. stand)
Katerina and Boris in the play "Thunderstorm" are the characters, on the level of which the love conflict is realized. Pochutya young people on the back of the head were condemned, the love of Katerina and Boris was tragic: Katerina was friendly, to cheer up a person and work with another person was lower than її moral principles. The author does not tell about the first zustrich of Katerina and Boris, the reader learns about it from Boris's words: But in whom? To a woman, with whom you can talk - you can’t give up! Ide with a man, well, the mother-in-law with them! Well, am I not stupid? Look behind the horn and go home.” This was not a sigh, but rather a suffocation at first glance. For Katya, a little bit meant much more. At such a hoarded girl, the maiden drank those right blue and wider kohannya, about like a heart was dreaming. That girl, whose vihovannia did not allow to hurt a man, tried to calm her heart. Katya's decision to go to Boris in the garden was fatal. After ten nights of taєmnih banter, Katerina recognized the person and her father-in-law in what she was before Boris. The remembrance of Katerina and Boris was sent away after the remembrance of Katya with Tikhon and Kabanikhoy.
The skin of the heroes whispers zustrіchi one with one, the skin one knows what the stench can say to one to one. Ale, both mumbling. I speak loudly, there is nothing about what. It is necessary to say that Katya was in a kind of cordon camp before the wedding. Lessons of thoughts and phrases, nibi Katya wants to know something important. The idea of a terrible lynching was hovering in the air, which had not yet taken clear forms, but after the judgment of Boris, the decision was still accepted. What happened under the hour of їhnyoї rozmovi?
Katya is still relying on those who can be happy with her people, start to be true for their vchinki, vibe, vibachat. Її food about those who, having forgotten її zmushuє zmushuє in razumіt, that in Katya's senses deyakі change. On all replicas of the girl, Boris replies sideways, showing that nothing is necessary for you. Katya discovers that Boris is on his way to Siberia. І axis, stop, on which the girl depends: will you take me with you?
A replica once again to bring strength to character, innocence and faith in Katya in the whole house. The maiden seems to be positively influenced by positive feedback. Whose nutrition actually had dozens of others, important ones. “Why do you love me?”, “What do our senses mean to you?”, “Why didn’t I have mercy on you?” - I impersonal others. Katya is talking about herself, and Boris is having such an important moment for the girl, thinking about the uncle: “I just asked the uncle for a compliment, I wanted to say goodbye from the middle of the time, de mi with you bogged down.”
Respectfully, say goodbye to the city, and not to Katya. At this moment, Katerina otrimu vodpovidi on all her unscheduled meals, having taken the rest of the decision to lay hands on herself. The very words of these words are so sharp and painfully clear, which the girl was so afraid of and at once checked.
As soon as the girl thinks about him, to say it is important. Right important. Ale Boris to drink Katya, it’s not so rich for an hour. The girl is talking about those who have already decided to be separated from life - this sacrifice is not for Boris's sake, but for its own sake. Death is not through an unfortunate mess (it would make everything vulgar), but through the impossibility of living honestly.
There is one noteworthy detail in parting Katerina and Boris: Boris begins to guess what is in Katya's head, if you want to come closer, embrace the girl. Ale Katerina is getting used to it. Hі, tse not an image, not pride. Katya ask Boris to give mercy to the skin, whoever we ask, pray for this sinful soul. The girl is still letting Boris in. І Boris go, without understanding the scale and significance of the meaning for Katya.
At the camp of Katerina Bachimo, all “ideas”, inspired by children, all the principles of dovkіllya stand against these natural exercises and vchinkіv. Terrible is the struggle, like a young woman is condemned, it comes from the skin word, from the skin Russian drama, and all the importance of the introductory osibs, such as Ostrovsky is said to be, is demonstrating. Surprise garnenko: you see that Katerina is versed in understandings, however, from the understandings of the middle, in which she is alive, and you can’t look at them, not looking forward to theoretical enlightenment. Announcement of mandrivnitsa and navіyuvannya of domestic wants and were reshaped by her in their own way, but they could not help but leave a salutary trace in її soul: and indeed, Bachimo in p'єsі, scho Katerina, having spent her regional dreams and shore-dwellings, pishnogovnі one thing is stronger - the fear of some dark forces, which is unknown, which she could not explain to herself kindly, or figure out. For the skin of your thought, you are afraid, for the simplest thing, you will check your own curry; їy here, that the thunderstorm її ub'є, that's a sin, the pictures of the fiery hell on the walls of the church are visible to me already moving її eternal torment... about the rest of the hours; Dick to repeat that the storm in the early morning is trying to help us, sob we were watching; a lady came to instill fear in everyone in the city, showing a few times in order to shout over Katerina in an evil voice: “All the fire will burn in unquenchable.” All of it is reminiscent of zabobonnogo fear, and all of it is reminiscent of Katerina herself, guilty of marveling at Boris like the greatest evil. Navit zavzyat Curly, esprit-fort of his middle, and she knows that the girls can walk with the claps if you want - the price of nothing, and the women need to be already closed. Tse perekonannya is so strong for him, that, having found out about Boris’s mess before Katerini, wine, without respect for his courage and deed, outrageousness, it seems that “throw the right thing.” Everything is against Katerina, navit and її vlasnі understand about good and evil; all you can do is muse - drown out your strife and wither in the cold and gloomy formalism of family silence and submissiveness, without any living pragn, without will, without love - or learn to deceive people and conscience.<…>
The situation, de live Katerina, vimaga, that she was lying and deceiving; “You can’t do without it,” like Varvara, “guess you, children you live; we have the whole hut on whom the whole hut is trimmed. I didn’t talk bullshit, she twisted it, if it became necessary. Katerina succumbs to her camp, goes to Boris at night, takes care of her mother-in-law for almost ten days... You might think: from yet another woman strayed from the path, climbed up to deceive the household and rose bestity, silently, caressed the mask of the cholovist in the distance! It would not be possible for you to call її and for the price: the camp її is so hard! Aletodіvona bula was one of the dozens of osіb of that type, which is already known in the stories, as it was shown, like “the middle ground is hitting good people.” Katerina is not like that: she’s arrogant about everything at home - you can see it’s farther away, more, like it’s not enough to go to the right. She is engaged in psychological analysis and it is impossible for her to hang up thin guards for herself; Whatever you talk about yourself, then already, it means that you strongly let yourself know. And there, at the first speech of Varvara about the bachelorage of Boris, she screams: “no, no, no need! what the hell, God save me: if I flirt with him at least once, I’ll run out of the house, I won’t go home anymore for anything in the world! ” Tse in nіy is not reasonable protection, it seems, tse passion; And it’s already clear that she was streaming to herself, and the passion is more for her, more for all the troubles and fears, more for all the winds. a little bit of childishness. In my passions, all life is for her; all the strength of її nature, mustache її alive pragnennya angry here. Before Boris, її are not the only ones who fit vin їєy, who vin and in appearance and z promos are not similar to others, who will vanish її; to a new burden, її and the need for love, as if you didn’t know yourself as a man, and you’re almost like a friend and a woman, and the deadly tightness of a one-man life, and the need for freedom, space, hot, undefended freedom. There is everything, like “to fly invisibly, wherever you want”; otherwise such a thought would come: “just my will, I’d ride now on the Volz, on the chovni, with songs, or on the trio on the good, having been robbed” ... you can take your feelings and immediately exclaim to the food: “do you know?” It can be seen that Barbara's respect for her explained a lot of things for her: robbing her dreams so naively, she still did not understand their good meanings. But one word is enough to remind them of the thought of that appointment, as she herself was afraid to give them. Until then, she could still doubt that in some new one you would feel the bliss, which you so hard joke about. But if you have learned the word of mystery, then you won’t be able to get in the way of your thoughts. Fear, sumnіvi, thought about sin and about human judgment - everything falls on the thought, but no longer has power over it; tse already so, formalities, for the purification of conscience. At the monolose with the key (stop at another act), we have a woman, at the soul, like a rishing rock, it has already been broken, but if you want, you just want to “speak” to yourself. Vaughn is tempted to kill himself and judge the vchinok, which she lied about, as if on the right side; ale thoughts її all spryamovanі on the truth of tsgogo vchinku. “From,” it seems, “you’ll perish for a long time ... Somebody has fun in captivity ... From what I want now - I live, toil, I don’t care for my own enlightenment ... my mother-in-law ripped me off” ... and so on. d. - All true stats. And then it’s easier to mourn: “it’s clear now, the share is so much like it ... That’s the kind of sin I have, if I look at it again ... If I want to talk, then it’s not a bad thing. Or maybe, I haven’t seen such a thing in my whole life ... ”Thai monologue, breaking down some critics’ slandering irony over Katerina, like over a shameless scolding *; but we don’t know more shamelessness, as a reminder, nibi mi chi htos і from our іdealnyh druzіv not reckoned to such favors with conscience ... In these favors there is no special wine, but you understand, like they are beaten into the head with a little and yakі so often gidkі buvayut natural course of the living pragnen soul. As long as the understanding is not ignorant of the Suspension, as long as the harmony of ideas and the needs of nature is not inspired in human nature, do these things please inevitably. It’s better for those, like, scumbags, to come to what seems to be a healthy mind by nature, and do not fall under the yoke of mental inclinations of piece morality. Katerina's strength became stronger on her own, and the stronger it is in her nature, she calmly marvels at the guise of childish madness, which they taught to be afraid of. That's why we are allowed to instill that the artist, as if she is capturing the role of Katerina on the St. Petersburg stage, to make a little pardon, giving a monologue, about what we are talking about, we need a lot of specs and tragedy. Vaughn, obviously, wants to hang out the struggle that is in the soul of Katerina, and from the first glance, she conveys an important monologue miraculously. Ale, we are given, which is consistent with the nature and position of Katerina in the right mood - to give words more calmness and lightness. The fight, well, is already over, there is no more than a little thought, the old ganchir'ya is covering Katerina, and she is gradually throwing off her. The end of the monologue looks like a heart. “Whatever happens, I’ll give Boris a whirl”, - rob the visnovok out and forgetfully think about the vigukuє: “Oh, yakby is no better! »
Such a kohannya, such a feeling you can’t get along in the walls of a boar’s booth, with success and deceit. Katerina wanted to sing in the taєmne, but in the future, at the capture of the kohanny, it seems to Boris, who sings that nothing is known: “Eh, shoduvat me, no one is to blame, she herself went to them. Don't mess up, ruin me! Let me know, let me know what I am doing... If I am not afraid of your sin, why am I afraid of human judgment?
And for sure, she’s not afraid of anything, for the relief of the possibility of running away, talk to him, enjoy yourself with him on these summer nights, with new feelings for her. Having arrived a man, and life became not in life. It was necessary to hide, be cunning; she didn’t want and didn’t want to; it was necessary to turn anew to your callous, tedious life, - it turned out to be the worst of all. The other thing was to be afraid of the swindler for himself, for his skin, his word, especially in front of the mother-in-law; it was necessary to be afraid of this terrible curse for the soul ... Such a camp was unbearably for Katerina: days and nights she thought, suffered, exalted her mind, and so hot, and the end of that one, that she could not bear it - in front of all the people , who had climbed into the gallery of the old church, repented of this man. With the first stroke of yogo buv fear, what do you say to the mother. "Don't need it, don't tell me, mother is here," - whispering wines, breaking down. Alemati already listened and urged to speak again, at the end of which to lead her morality: “What, son, where is the will?”.
It’s important, obviously, more gluzuvat from a healthy gluzdu, less like to rob the Kabanikh at his wiguk. Ale in the "dark kingdom" of a healthy mind does not mean anything: with a "zlochinka" they lived in, they are opposite to you, but they are better in that: a man, after a little mother's instruction, having beaten his squad a little, the mother-in-law closed it to the castle and began to go home. ..
Reduce the will and calm poor woman: if you couldn’t get it right, even if you could show the rightness in front of these people. And now, as it were, she is guilty before them, she has broken her bindings before them, she has brought grief and slander to the family; now more reason for her can already bring that truth. What is being lost?
<…> A smaller impossibility was shown even more by the decision - to roll with Boris in the face of domestic violence. Irrespective of the strictness of the formal law, ignorant of the cruelty of rude tyranny, such short cuts do not show the impossibility of the powers that be, especially for such characters, like Katerina. And she does not care about the exit, because she is not an abstract heroine, who wants death for the principle. Vtіkshi from the house, schob pobachitsya with Boris, and already thinking about death, get out, prote, zovsі not against leakage; Having recognized that Boris is far away, to Siberia, it’s even easier to say to you: “Take me with you, star.” Ale here and weep a stone in front of us, a kind of trembling of people in the depths of the virus, which we called the “dark kingdom”. Kamin tsey - material staleness. Boris can’t lie down for nothing like his uncle - Wild; They ruled the Wild and Kabanovs, so that they could lead them to Kyakhta, and, obviously, they would not let them take Katerina with them. To that vin and vydpovidaє їy: “I can’t, Katya; I’m not going out of power, my uncle, I’m ready for the horses, etc. Boris is not a hero, he’s far from Katerini’s warty, she fell in love with him more than a deserted person. Vіn vystachiv "illuminate" and nіyak don't run into nі zі old pobutom, not with your heart, not with a healthy mind, - go ahead of the vtracheny. Live at the uncle’s place for that youmu that sister yogo may part of the grandmother’s recession, “the stench will be up to a new shanoblivi”. Boris has a good mind, that the Wild Ones do not know anything about it, and, therefore, we will not give anything to you; that is not enough. Boris is so silent: “Ni, I’m going to slam over us, cook with all my might, like my soul is forever, but still finish it, so that we won’t give anything, but like that, I’m a dribnitsa, but I’ll tell you, I’ll give you mercy, which is not traced. But still, you live with your uncle and bear yoga likes; now? - Unbeknownst. At the first time with Katerina, if you don’t talk about those who check for her, Boris interrupts with the words: “well, what to think about it, it’s good for us now.” And with the rest of the bastard, weep: “Who knows why we are so tormented by you for our kohanny! It would be better if you tick me tody!” In a word, he is one of those very incompetent people, who cannot work those who understand, and do not understand what to shy. The type of them is richly depicted in our fiction - either with more sympathy for them, or with a bitterness against them. Ostrovsky gives it to us, like a stench, and we will especially sing you in the minds of two or three rices, they are completely insignificant, wanting, vtim, I will not spare the singing world of spiritual gentry. About Boris, there is nothing to expand on, well, he is also guilty of bringing things to the situation, the heroine of the p'yesi sips like a yak. Vіn represents one of the reasons why to shy away from the necessary fatal end of the world. Yakbi tse bula іnsha lyudina і in іnshoy stavishchi - like і b і at the water did not need to be thrown. Ale, in that river, the middle, under the order of the forces of the Wild and Kabanovs, vibrating the sounds of Tikhonov and Borisov, the old ones, to take on their human nature, to wind up with such characters, like Katerina. We said more sprats of words about Tikhon; Boris is just like himself, less than “illuminations”. Osvita took in the new strength of the work of the capo, - true; but it didn’t give you the strength to repair the opir to the hydots, like to shy away others; it didn’t grow in the new building to behave in such a way, so that it would be devoid of someone else’s moustache brydkom, which would swarm around the new one. And, what’s more, I don’t mind, I’m guilty of ordering other people’s guides, I’m willing to take part in them and I’m guilty of accepting all of their inheritance. Ale, in understanding one’s own camp, slandering about something new and often deceiving, for the first time, truly live that mother of nature, like, judging by oneself, to think that a person thinks so, so wise, then so can work. Wondering from their point of view, such natures cannot say to the “illumined” sufferers, who are moving away from the miserable conditions of life: “Take me with you, I will follow you everywhere.” Ale here and show up powerless suffering; to show up, that they didn’t give the stench, and that they curse themselves, and that it’s for the sake of the stench, that it’s not possible, and that they have no will, and the smut - that they have nothing for their souls and that for the continuation of their foundation, the stink is to serve to the very same Wild One, whom we would like to be smitten with at the same time ...
Do not praise, do not bark at these people for nothing, but you need to put respect on that practical ground, on which to pass food; It is necessary to recognize, scho people, as a check for the fall of the uncle, it is important to throw off the fallowing in the name of the uncle, and then it is necessary to act in the name of the arrogant hopes for the nephews, as the check for the fall. hot bi stink and buli "illumined" yaknayne possible. If you pick wine here, then the wines will appear not so much as nephews, like uncles, or, to put it more simply, it’s a mess.
Dobrolyubov N.A. "Promin light in the dark kingdom"