Why did Katerina boast of love before Boris? literature Ostrovsky "thunderstorm" terminovo! Boris and Katerina
V. P. Botkin said wonderful and fair words about the song “Thunderstorm” in his sheet to A. N. Ostrovsky: “None of you have revealed your poetic powers as much as this song... In “Thunderstorm” you They took such a plot, which is straight through the writings of poetry, - a plot that is impossible for someone who does not have poetic creativity... Katerina’s love must be taken to the same manifestations of moral nature, before which light cataclysms occur in physical nature. ."
Well, Katerina is with Boris. Having read Tsi Ryakov, the tilki is able to: “Sho, Kohannya viki Pokіrnі ...”, and can Gliboko be hungry, Tom love to Boris, for the heroine “threat” was the reference tragedy, having drove that drama, Yaku Vaughi, leaning, leaning "dark kingdom".
Katerina is a delicate, moody, and ethical girl. The whole woman is highly moral, simply stuffy, unvisitable when she is around people. She can’t lie, push, or grab her feelings. He understands deeply that once he has loved Boris and fallen in love with him, he can no longer control anything. “Why do I want to think about someone? - she fades. - Why bother if you can’t get out of your head? I don’t think about it, but I just stand in front of my eyes.” For her husband Katerina, faithful to her husband and god, this love becomes a real moral cake. “It’s as if I’m standing over a break and I don’t care who’s going there, but there’s nothing I can do to get in my way,” this is how she describes her stance.
Being kind, Katerina harms a man whom she never loved and does not love, for whom she can never be happy. She is a weak, weak-willed person who allows herself to be belittled in front of her friends.
Boris and Katerina are unable to get along, and the remaining married wives are kept under lock and key by Kalinova. Tikhon's sister, Varvara, is taking on the problem, for whom there have been no long-term moral transgressions for a long time. “I wasn’t talking nonsense,” she said to herself, “she got it right when it was necessary.” It’s unlikely that Katerina would have decided to master this science.
Relying on herself for the first time, Katerina nevertheless accepts Varvara’s services. You can no longer be in the stifling atmosphere of hypocrisy, lack of freedom, tyranny, and you are unable to overcome your own chaos. The heroine is about to commit a great sin - she decides to get along with Boris. The share is like this: Ka-banikha sends her son out of the house. Katerina is experiencing the situation painfully, but there is no way to alleviate it. A dozen sustriches with Boris illuminate their lives with exchanges of happiness, but not happiness.
Boris is staying with his uncle, the merchant Dikiy. He is an orphan, and his grandmother gave orders for Boris to get rid of the murder only after turning age and only for the mind of a shady affair with his uncle, which in principle is impossible. It’s not because Boris doesn’t step up to his elders, but because it’s impossible to stand up to Dick, a domineering, rude, shameless and cunning man. Prote Boris will continue to live as an uncle, patiently bearing all the images. His character does not have the same strength that would help him overcome the situation.
Having walked to Kalinovovo, Boris, as well as Katerina, feel uneasy. “It’s really important for me here, without any warning! - seems to be a win. “It’s amazing for everyone to wonder why I’m so cool here, why I respect them.” Love is an unforeseen misfortune for a new one. “Harried, beaten,” he says, “and then I’m crazy enough to think about it.”
Boris can’t patch up his little ones. “When I’ve already poohed...”, he seems to be revealing his secret secret to Kudryash, and won’t finish the phrase, because everything is so clear. However, we can’t earn the first cash. Varvara appears to be someone vying for someone else. Boris accepts his position, but the axis of responsibility is definitely not working. Punished by the uncle, he is rumored to be flying to Siberia. When Katerina asks to take her with him, Boris confirms that he is a wife - the uncle is careful. Boris actually hates Katerina by throwing her in this position.
The heroine appears to be stronger than Boris. Look, you can’t talk nonsense, even about your love. Vaughn shouts out to the “dark kingdom” by rushing to the break. Boris, of course, listens to Katerina, but the only thing he can do to help her is to save her death.
Ostrovsky showed Katerina as a woman who is “clogged with the middle”, but at the same time endowed her with the positive qualities of a strong nature, which created a residual resistance to despotism. About Boris, the critic N. Dobrolyubov said that in the same Tikhin, there were only a lot of “illuminations.” “The illumination gave him the strength to work hard... but it did not give him the strength to resist the punishment that others would give him...”
Katerina and Boris in the dog "The Thunderstorm" are characters on par with which the love conflict in the creation is realized. It seems that the young people were already married, the love of Katerina and Boris was tragic: Katerina was befriended, pleasing the person and flowing with other people was lower than her moral principles. The author does not tell us about Katerina and Boris’s first close friend, but the reader learns about her from Boris’s words: “And here we’re just foolishly thinking about it. Who? There's no way to talk to a woman like that! I'm going with my boyfriend, and my mother-in-law is with them! Well, am I not a fool? Marvel behind the horn and go home.” It wasn’t a scam, but rather a scam at first glance. For Katya, it almost meant much more. With such a buried girl, she was busy working on the same food and bread for which her heart sank. So the girl, whose medicine did not allow her to please the man, tried to calm her heart. Katya’s decision to go into the garden before Boris was fatal. After ten nights of dark nights, Katerina recognized her husband and father-in-law in what she sensed about Boris. The continued marriage of Katerina and Boris began after Katya’s divorce from Tikhon and Kabanikha.
The skin of the heroes hears one by one, the skin of the heroes hears what the stinks say to each other. Ale both talk. And speak loudly, silently about what. It is necessary to say that before the arrest, Katya was in some border camp. Lessons of thoughts and phrases, nothing Katya wants to know about someone who is important. The idea of a terrible lynching of the sky was in the air, not yet taking clear forms, but after the fight with Boris, the decision was only accepted. What happened at the hour of their divorce?
Katya is still relying on those who can be happy with this person, she is beginning to confess for her actions, to get better, to get better. This article is about those who, having forgotten it, makes readers realize that Katya seems to have made some changes. To all the girl’s remarks, Boris sideways confirms, showing that he doesn’t need anything. Katya finds out that Boris is on his way to Siberia. And the axis that remains is what the girl is relying on: will you take me with you?
The replica once again conveys the strength of character, innocence and faith of Katya in the village. The girl is extremely hopeful for positive feedback. Whose food actually contained dozens of other, important ones. “Why do you love me?”, “What do our feelings mean to you?”, “Why did I not have mercy on you?” - And the impersonality of others. Katya is talking to herself, and Boris is at such an important moment for a girl, the guy thinks about him: “I just asked the guy for a little something, although I wanted to say goodbye to you and I, where we studied with you.”
Respect, say goodbye to the mistress, and not to Katya. At this point, Katerina withdraws from all her nutritional problems, having finally decided to put her hands on herself. Just after these words there comes such a sharp and painful clarity, which the girl was so afraid of and was constantly waiting for.
At the same time, the girl thinks about this, so that she can say it more important. Truth is more important. Ale Boris to drink Katya, he doesn’t have much time. The girl is talking about those who were already about to be separated from life - this is a sacrifice not for the sake of Boris, but for the sake of herself. Death is not due to unfortunate behavior (that would make everything vulgar), but through the impossibility of living honestly.
Katerina’s farewell to Boris has one noticeable detail: Boris begins to understand what’s in Katya’s head, he wants to come closer and hug the girl. Ale Katerina is getting tired. No, no image, no pride. Katya asks Boris to give mercy to everyone who asks, to pray for her sinful soul. The girl finally lets Boris go. And Boris is coming, the scale and significance of this development for Katya is beyond comprehension.
P'iesa O.M. Ostrovsky's "The Thunderstorm" is rightfully considered one of the greatest songs in Russian drama. It deals with important human problems that are relevant all the time: problems of freedom, love, happiness, conscience, moral choice.
All of this is so subtly psychological. Therefore, “The Thunderstorm” is still included in the repertoire of every theater that respects itself and enjoys great popularity among the public.
At the center of the song is the emotional drama of the young wife Katerina Kabanova. The heroine was inspired by the strongest patriarchal traditions: kohanna, warmth, turbot. Since childhood, she didn’t know important work; she spent her whole day doing embroidery and making mandria. Katerina is very religious and God-fearing. The ideal of life is great Mitsna homeland s reliable loving person, children.
Alas, Katerina’s dreams were not destined to come true. After marrying Tikhon Kabanov, she created the atmosphere of the “dark kingdom”. The heroine could not step foot without the important, condemning look of her mother-in-law Marfi Ignativna. Doing hard work all day long, Katerina couldn’t kind words There is not a man who is afraid of his mother, nor is there a Kabanikha. The heroine felt that she was suffocating in this “stuffiness and captivity.”
Katerina's love for a happy and bright life was revealed in her love for Boris Grigorovich, Dikiy's nephew. This young man has been alive for a long time at the great place, having been well blessed and blessed. For Katerina, there was a dream about a different life, a different share.
From the moment the heroine shook Boris, their souls were torn apart. On the one hand, Katerina could not destroy the patriarchal laws that she had acquired with her mother’s milk. Vaughn was about to lose her loyal squad, a good-hearted woman who was spoiled for marriage.
It was necessary for the heroines to see themselves as people with a clear conscience and a Vikonian Borg. On the other hand, life in Kalinovo became unbearable for Katerina. The only inspiration for her was love before Boris. Katerina did not want to think about Boris, but she could not help but think about him. With Zhreshta, having become infatuated, the heroine gave her brother a treat.
The sister of Katerina and Boris appears in the third scene of another scene of the third part of the song. The heroine comes to the ceremony, covered with a great white hustka, and stands there with her eyes downcast. It is very important to cross the moral line in your soul. Katerina laments the sinfulness of it: “Go get away, you damned person! You know: even if I can’t atone for this sin, I can’t atone for anything! Aje vin lay like a stone on the soul, like a stone.”
Although, unimportant on the outside, the heroine has already decided everything for herself. You should tell Boris about your humanity as a fact that you discovered: “You have saved me!” Boris says: “How can I want your death, if I love you more than anything in the world, more than myself!” She does not understand Katerina’s tragic doubts: “Your will was on those.”
This phrase becomes a turning point for Roman’s heroes. Katerina first raises her eyes to Boris: “I have no will... Your will is above me now!..” - and falls to her brother’s heart.
Katerina is kind to Boris, but her soul is restless. The heroine wants Boris, having eased his torment, to calm down. Vaughn say to the young people, carefully locked: “So, you are good, you great Cossack, and I!..” Boris, in his own way, calms down Katerina: “No one knows about our khannya.”
Ale is not an argument for Katerina. He is not worse than the condemnation of those who are absent. The heroine knows that she herself will not be able to punish herself for her own sake, violating the moral law: “Why harm me, no one is guilty - I went to that myself... If I was not afraid of your sin, why should I be afraid of human judgment?” On her way to Boris's party, Katerina chanted: No, don't live for me! I already know that I can’t live.”
We think about everything about this heroine and cry later, under the mother-in-law’s castle. In the meantime, Katerina decided to fully dedicate these two people to her khan, whom she swayed at the first glance: The first time, it seems, if you had beckoned me, I would have followed you; “If you wanted to go to the ends of the world, I would still follow you and not look back.”
Blinded by love, the heroine does not notice that Boris is even similar to her man Tikhon: he is also weak and weak-willed, and so he looks at the thoughts of those who are absent. The philosophy of this hero is close to Varvari’s views: “Robi, whatever you want, it’s either sewn or crooked.”
Boris loves Katerina, so he doesn’t love her. He doesn’t wonder what will happen to the woman after these “cheerful” two lives. The head for the new one is a meeting of satisfaction: “Oh, then we’ll go for a walk! It’s time to finish it.”
Thus, this episode is a turning point in Katerina’s life. The best thing to do is to choose short or long-lasting have a happy life. The heroine is aware of all the consequences of her life: the ruin that has fallen on her and the whole family of the man, the contempt and condemnation from the side of the Kalinovites and the Kabanikhas, the unbearable life under the castle. Katerina knows in advance that she cannot live with the knowledge of her sinfulness and spiritual uncleanliness. In exchange for happiness, love and freedom are treasured for her. The heroine makes this choice, paying for it the greatest price - her life.
Katerina hears Boris, and her heart seems clouded, like the one she’s been joking for so long. Why is that so? No, Boris is far from ideal, he cannot give Katerina what she asks, but he himself: there is confusion and zakhista. You can’t feel with Boris “like behind a stone wall.” And the justice of which is confirmed by the fear and insensitivity of Boris’s actions: he deprives Katerina of her own, throws her “to the wolves.” These “wolves” are terrible, but the stench cannot cover Katerina’s “Russian soul”. And the soul in her is truly Russian. Katerina’s connection with the people is not lacking in spirit, but also in recognition of Christianity. Katerina believes in God so much that she now prays in her room. They should go to church, marvel at the icons, listen to the bell. Look, like Russian people, love freedom. And her love of will itself does not allow her to come to terms with the situation that has developed.
Our heroine did not lie, and so she confesses about her love to Boris. Instead of understanding, Katerina is getting a direct answer. Now nothing matters in this world: Boris did not appear the way Katerina “painted” him, and life in Kabanikha’s little house became even more unbearable. The poor, innocent “bird, imprisoned in a cage,” could not survive captivity - Katerina laid her hands on herself. The girl finally managed to “fly”, she made her way from the high bank near the Volga, “straightened her wings” and bravely sank to the bottom.
With her work, Katerina is building a foundation for the “dark kingdom.” Ale Dobrolyubov calls her a “change” for no one, not least because her tragic death revealed all the horror of the “dark kingdom” and showed the inevitability of death for those who cannot come to terms with oppression, and also because Katerina’s death will not pass and will not you can pass without a trace for the “gluttonous rewards”. And the wrath of these tyrants will also arise. Kuligin - and then, having told Kabanikha without mercy, told the humble Vikonavets’ mother, Tikhin, publicly daring to implicate her in Katerina’s death. An ominous thunderstorm is already brewing over this “kingdom”, ready to destroy this “down and powder”.
And this is a bright memory that has awakened - let’s not forget for one minute - the awareness of sick, undivided people who are in material confinement in the form of riches, conclusively showing that the end of the inexhaustible plunder may come nude and self-satisfaction of the Wild and the oppressive love of power and hypocrisy of the Boars. The importance of the image of Katerina is still important today. So, perhaps, who regards Katerina as an immoral, shameless bastard, or why not?!
Most of all, Tikhin is to blame for everything, because he did not show due respect and affection to the squad, but did not show any respect to his “mami”. Katerina is even more to blame for marrying such a weak-willed person. Their lives were ruined, and they were left to renew themselves from the remains. Katerina bravely walked forward until she realized that there was nowhere else to go. And then she earned an important milestone, the remaining milestone over the break, leading to another world, perhaps the shortest, and perhaps the greatest. And this courage, the thirst for truth and freedom, rages in front of Katerina. So, obviously, she is not so ideal, she has her shortcomings, but she has the courage to treat the heroine as an object of inheritance, a year of praise.
Text to the creator:
In his article “Bring Light in the Dark Kingdom,” A. N. Dob-Yubov wrote: “The Thunderstorm” is, without a doubt, Ostrovsky’s greatest work... “The Thunderstorm” has a sound that is fresher and more cheerful.
“The Thunderstorm” was written by Ostrovsky after his journey along the Volga at the warehouse of the literary expedition. This trip helped the playwright to more accurately and vividly portray the secluded atmosphere of provincial places of the 19th century, to create typical and bright characters.
One of the leading lines in the drama of the story of Katerina and Boris, the fragments of the story play a great role in the tragedy that played out in the song.
Katerina is proud, volova, but she is a peaceful woman. Vona lived in an atmosphere of love and joy, lived among pious and nature-loving people, was free to manage her life as she wanted, and she often and joyfully remembers her own home. Now she is married to a weak, weak-willed man who remains in constant care of his mother, Tikhon. Spiritualized, poetic, bright and romantic in nature, she has spent time in the booth, where harsh laws, nonsense, hypocrisy, hypocrisy are in panic, and the tyrant Kabanikha is in pain, as he won’t let anyone live anymore. Lovely and open-minded, Katerina constantly feels the heavy moral oppression of her mother-in-law, she is tired of the patient suffering and unjust endless abandonment. This little cabin is yurma for her, everyone here is working “in captivity.” There is no controversial soul around Katerina, people who would understand and support her.
And then Boris appears in the place, who differs from other residents of Kalinov in his appearance, manners, European clothes, and classiness. Not knowing this inner world, Katerina creates an image in her soul that is unlike the real Boris with her viciousness, but this evokes deep and selfless love.
Who is Boris really, what is he like? Since childhood, Boris married his sister in Moscow. Their fathers loved them and gave them a miracle, but then they died of cholera: “We became orphans and lost our sisters.” And then Boris’s grandmother died, having deprived all the wealth of his uncle’s tyrant and rude man, and the richest man in the place, Diky, having punished him in order to pay the required share to his nephews, as they would cheat on him . Prote, Dick is not the kind of person to part with his pennies. And Boris endures the needy uncle more patiently, being told in advance that neither he nor his sister will take away a penny from the Wild.
Having fallen in love with Katerina, Boris does not think about the future, about
The misfortune that we can bring to our relatives is obvious to those who are absent. The short-sighted, aka the bewitching Kudryash is anxiously ahead of him: s, Boris Grigorovich, leave him at home! You're melting yourself. Look, the trun is in the air... Only you marvel at 1yuta." Boris does not think about Katerina, following his intuition, which shows his lack of character, lack of life guidelines and clear moral principles c.
For the generous and deeply religious Katerina, love before Boris is a sin, not only before the lawful person, but before God. This is the reason for the internal conflict, the conscience is restless. However, Boris Katerina has a strong speciality, given her support and strength, everything is done to relieve the tightness and suffocation of Kabanikha’s bed. " Katerina's youth is strong, deep, selfless, into whose faith the girl seems ready to bring powerful moral principles: "Because I wasn't afraid of your sin, why am I afraid of human judgment?"
And yet, with such a strong choice, Katerina is very conscious of her happiness. For her, there are no sins against her conscience, but she is ready to sacrifice her life for the sake of her brother, knowing that any sins are atoned for the sufferers. It is not the sensitivity of people that is alarming, but the purity of the powerful soul, and we believe that until the most tragic end, Katerina does not remind herself.
What about Boris? When Katerina hits the cob with the stench, the bottle violates: “Well, how could the stench not save me, if I, having left the little house, go to you at night,” Boris cowardly confesses: “Your will was on those.” That’s all this is for the weak, the careless, the bastard, the old brothers, but don’t give in.
And even if you spend it behind the great shell of nothing: there is a new man at the place of Vin, who has come and gone, a “strong Cossack.” Having learned that their ties are open, the guy goes for the voucher, throwing one woman to the Kokhan, regardless of those who might lie to them, taking them with them, regardless of the bad impression. It is written only on the voice: “Only one thing is to ask God, so that she dies soon, so that she does not suffer for a long time.” In this way, love did not lift him up and did not inspire him, but instead appeared as a new, important burden, as he strengthened his position in life. Such people, like Boris, cannot survive life's trials, but are more likely to be crushed to the ground.
At the time of her death, Katerina protested against the darkness, savagery, and limitedness of the patriarchal regime, against the stifling atmosphere of Kalinov, and the author’s faith in the spiritual strength of the Russian people and the awareness of future changes in Russia was revealed. What a life.
The rights to the TV series “Katerina and Boris in A. N. Ostrovsky’s drama “The Thunderstorm”” belong to the author. When quoting material, it is necessary to clearly indicate hyper-force on